The tent begins as a symbol of a childhood memory, as a place where I used to wait for my sister to come and play. That memory travels in the present as it turns into a feeling of isolation and a fear of an uncertain future, a denial of movement by being a citizen of Kosovo. Does that body remain only in the waiting state? Will it be able to move when the object that represents the waiting doesn't exist?

Trying to fight the wait the decision is made to burn the object as that memory of waiting and the feeling of isolation, as a revolt against it, a decision to make a decision, or just an illusion and a transformation of a new wait.